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Rushmore (1998)

Rushmore is Anderson’s second film and I’d argue this is the one that really planted his flag on the film world’s map. His first film Bottle Rocket (1996) is terrific, was an indie darling, and introduced him and Luke and Owen Wilson to the world. But Rushmore gets a bigger cast, a wider release, and is a stronger film in many ways.

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Forbidden Planet (1956)

QFS No. 119 - This is going to be an interesting one in that Forbidden Planet is (A) adapted from William Shakespeare and (B) we’ll be forced to take Leslie Nielsen seriously, he of Airplane! (1980) and the Naked Gun franchise fame.

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Honeyland (2019)

QFS No. 5 - In keeping with the randomness of the movie selection, it’s time to switch gears and watch a documentary feature film because who’s there to stop us? Though I’ve made a few of them, I’ve never selected a documentary to watch in any of the predecessor film societies before QFS. But Honeyland (2019) I’ve had on my watch list from last year so I figured why not.

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Blood Simple (1984)

QFS No. 4 - I have some peculiar blank spots in my film knowledge, many of them shameful for a filmmaker. Here’s one: I admit it, I have never seen Blood Simple, first film of the Coen Brothers (Miller’s Crossing, Big Lebowski, The Man Who Wasn’t There, No Country for Old Men, Fargo, O Brother Where Art Thou, A Serious Man, True Grit.)

I listed all those other films in the parenthesis just to prove that yes, I do quite love their filmmaking and movies and yes I’ve seen all of those, you jerk. I just can’t explain it, but by chance I have never seen the film that put them on the map.

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The Miracle of Morgan’s Creek (1943)

QFS No. 3 - Preston Sturges is one of my favorite American filmmakers of the pre- and early post-war era. His Sullivan’s Travels (1941) and Hail The Conquering Hero (1944) are exceptional works of writing and subtle-to-overt social criticism through satire – especially during the studio system era.

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Mad Max Beyond Thunderdome (1985)

QFS No. 2 - As perhaps with you, “thunderdome” is my stand by phrase for anything that has no rules with chaos as its only governing principle and where destruction is the norm. It entered the zeitgeist after this film and entered our collective lexicon even if you haven’t seen the movie. Related point – if you come to our home you will see that we have our fenced-in children play area in our main room that we have dubbed “Baby Thunderdome.” No holds barred, very few rules and the only directive is “to survive.” So far, both children have. But for how long?

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Crouching Tiger, Hidden Dragon (2000)

QFS No. 1 - The invitation from April 29, 2020: SR Note: This email invitation contains the QFS origin story - our first ever email sent out to the group that would become Quarantine Film Society. The format became slightly more standardized as we went along. Enjoy.

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